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This..I tried my best to find the peacock seal but failed. I would like to see one if you find one. That would be a big evidence on their Indian origin rather than a split from the Andronovo-BMAC.
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This fits in perfectly with the fact that peacocks and the peacock motif also appear prominently in West Asia along with the Mitanni. This was brilliantly presented in a paper viz Burchard Brentjes 1981. As Brentjes confirmed out: "there is not a single cultural element of Central Asian, Eastern european or caucasian origin in the archaeological culture of the Mittanian area [….] But there is one element novel to Iraq in Mittanian culture and art, which is later on observed in Iranian culture until the islamisation of Iran: the Peacock, one of the two elements of the 'Senmurv', the lion-peacock of the Sassanian art. The first clear pictures showing peacocks in religious context in Mesopotamia are the nuzi cylinder seals of Mittanian time [7. Nos 92, 662, 676, 856, 857 a.o.]. There are two types of peacocks: the griffin with a peacock head and the peacock dancer, masked and standing beside the holy tree of life. The veneration of the Peacock could not have been brought by the Mittanians from Central Asia or South-Eastern europe; they must have taken it from the East, as peacocks are the type-bird of India and Peacock dancers are still to be seen all over India. The earliest examples are known from the Harappan SINDHU SARASVATI culture, from Mohenjo-daro and Harappa: two birds sitting on either side of the first tree of life are painted on ceramics. [….] The religious role of the Peacock in BHARAT and the Indian-influenced Buddhist art in China and Japan need not be questioned" (BRENTJES 1981:145-46).
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