Shanghai Expo 2010 opens today (May 1st)!

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The China model: The Beijing consensus is to keep quiet​


In the West people worry that developing countries want to copy "the China model". Such talk makes people in China uncomfortable

CHINESE officials said the opening of the World Expo in Shanghai on April 30th would be simple and frugal. It wasn't. The display of fireworks, laser beams, fountains and dancers rivalled the extravagance of Beijing's Olympic ceremonies in 2008. The government's urge to show off Chinese dynamism proved irresistible. For many, the razzmatazz lit up the China model for all the world to admire.


The multi-billion-dollar expo embodies this supposed model, which has won China many admirers in developing countries and beyond. A survey by the Pew Research Centre, an American polling organisation, found that 85% of Nigerians viewed China favourably last year (compared with 79% in 2008), as did 50% of Americans (up from 39% in 2008) and 26% of Japanese (up from 14%, see chart). China's ability to organise the largest ever World Expo, including a massive upgrade to Shanghai's infrastructure, with an apparent minimum of the bickering that plagues democracies, is part of what dazzles.

Scholars and officials in China itself, however, are divided over whether there is a China model (or "Beijing consensus" as it was dubbed in 2004 by Joshua Cooper Ramo, an American consultant, playing on the idea of a declining "Washington consensus"), and if so what the model is and whether it is wise to talk about it. The Communist Party is diffident about laying claim to any development model that other countries might copy. Official websites widely noted a report by a pro-Party newspaper in Hong Kong, Ta Kung Pao, calling the expo "a display platform for the China model". But Chinese leaders avoid using the term and in public describe the expo in less China-centred language.

Not so China's publishing industry, which in recent months has been cashing in on an upsurge of debate in China about the notion of a China model (one-party rule, an eclectic approach to free markets and a big role for state enterprise being among its commonly identified ingredients). In November a prominent Party-run publisher produced a 630-page tome titled "China Model: A New Development Model from the Sixty Years of the People's Republic". In January came the more modest "China Model: Experiences and Difficulties". Another China-model book was launched in April and debated at an expo-related forum in Shanghai. Its enthusiastic authors include Zhao Qizheng, a former top Party propaganda official, and John Naisbitt, an American futurologist.

Western publishers have been no less enthused by China's continued rapid growth. The most recent entry in the field is "The Beijing Consensus, How China's Authoritarian Model Will Dominate the Twenty-First Century" by Stefan Halper, an American academic. Mr Halper, who has served as an official in various Republican administrations, argues that "just as globalisation is shrinking the world, China is shrinking the West" by quietly limiting the projection of its values.

But despite China's status as "the world's largest billboard advertisement for the new alternative" of going capitalist and staying autocratic, Party leaders are, as Mr Halper describes it, gripped by a fear of losing control and of China descending into chaos. It is this fear, he says, that is a driving force behind China's worrying external behaviour. Party rule, the argument runs, depends on economic growth, which in turn depends on resources supplied by unsavoury countries. Politicians in Africa in fact rarely talk about following a "Beijing consensus". But they love the flow of aid from China that comes without Western lectures about governance and human rights.

The same fear makes Chinese leaders reluctant to wax lyrical about a China model. They are acutely aware of American sensitivity to any talk suggesting the emergence of a rival power and ideology—and conflict with America could wreck China's economic growth.

In 2003 Chinese officials began talking of the country's "peaceful rise", only to drop the term a few months later amid worries that even the word "rise" would upset the flighty Americans. Zhao Qizheng, the former propaganda official, writes that he prefers "China case" to "China model". Li Junru, a senior Party theorist, said in December that talk of a China model was "very dangerous" because complacency might set in that would sap enthusiasm for further reforms.

Some Chinese lament that this is already happening. Political reform, which the late architect of China's developmental model, Deng Xiaoping, once argued was essential for economic liberalisation, has barely progressed since he crushed the Tiananmen Square protests in 1989. Liu Yawei of the Carter Centre, an American human-rights group wrote last month that efforts by Chinese scholars to promote the idea of a China model have become "so intense and effective" that political reform has been "swept aside".

Chinese leaders' fear of chaos suggests they themselves are not convinced that they have found the right path. Talk of a model is made all the harder by the stability-threatening problems that breakneck growth engenders, from environmental destruction to rampant corruption and a growing gap between rich and poor. One of China's more outspoken media organisations, Caixin, this week published an article by Joseph Nye, an American academic. In it Mr Nye writes of the risks posed by China's uncertain political trajectory. "Generations change, power often creates hubris and appetites sometimes grow with eating," he says.

One Western diplomat, using the term made famous by Mr Nye, describes the expo as a "competition between soft powers". But if China's soft power is in the ascendant and America's declining—as many Chinese commentators write—the event, which is due to end on October 31st, hardly shows it. True, China succeeded in persuading a record number of countries to take part. But visitor turnout has been far lower than organisers had anticipated. And queues outside America's dour pavilion have been among the longest.
 

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Shanghai Expo WIDESCREEN and HD!

Amazing panoramic YouTube WIDESCREEN and HD videos of Shanghai Expo! It's the same as being there!





 
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Shanghai Expo WIDESCREEN and HD! (continued)

Shanghai Expo WIDESCREEN and HD! (continued)





 
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Armand2REP

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Shanghai Expo Numbers Low after State Entities Scrapped Plans to Attend

By Cheryl Chen
May 10, 2010

The deflated attendance figures at the Shanghai World Expo were the result of a document that "discouraged and disapproved" state-owned entities from attending at government expense, according to the U.S.-based Boxun website and a number of Chinese websites. Chinese Premier Wen Jiabao was reported to have approved the circulation of the notice, leading to mass cancelations of publicly funded junkets to Shanghai, and a commensurate drop in visitor numbers.

The Chinese official press trumpeted Shanghai's Expo as aiming to be the best attended in the history of the event, but was relying heavily on state-owned enterprises to reach the quota. The failure of government players to turn up has seen a mass drop in numbers.

An entire week elapsed before the 1,000,000 visitor milestone was reached on May 7, and the event clocked slightly over 200,000 visitors on May 8, the first weekend since standard single day admission tickets were used.

An average of 380,000 visitors per day is necessary to reach the goal of having 70 million visitors for the 184-day event, a figure that would break the previous record of 64 million at Expo '70 in Osaka, Japan. However, as of May 6 the Expo has had an average of a mere 150,000 visitors per day, barely half of the required daily visitors.

The shortfall in numbers may be a direct consequence of the circular discouraging state entities from attending on public funds. According to Boxun, prior to the opening ceremony one World Expo official said, "If the State Council directive had come out earlier, we wouldn't be so embarrassed right now. A lot of people couldn't buy tickets, and forty-five percent of the tickets in the first month were bought by those [state] entities. Now they've canceled, and the loss is mutual."

Dozens of Chinese online forums also copied the article and quote, but were later purged by China's ubiquitous censors, only viewable in cache.

Chinese websites note that Wen Jiabao had criticized the Shanghai municipal government in the past for its apparently arrogant attitude towards the central government, which included reneging on policy items from the centre, disobeying budgeting requirements. The opening ceremony was scheduled to have former head of the CCP Jiang Zemin and former Premier Zhu Rongji present to receive flowers. Wen Jiabao was reportedly opposed to the plan and failed to show up at the ceremony, citing other commitments.


Migrant Workers on 'World Expo Leave'


As the Shanghai Expo opened, many migrant workers were seen carrying their bags and luggage among the waiting crowds on buses and trains to ride back home, according to a report by BBC China on May 8.

In order to beautify the city's appearance, many construction sites were shut down and encircled by walls painted with slogans extolling the Expo. Some migrant workers told a BBC reporter that they were given an unpaid "World Expo leave" because all construction sites except for urgent projects must be suspended during the World Expo.

As to when they could return and whether they would still have a job, they said they had no idea.
 

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Chinese fantasy

''It is show-casing China as the world's factory.''

With the opening of the Shanghai World Expo on May 1, China has sought to create another symbol of its rising power and project its premier city as the world's metropolis of the future. There is nothing understated about the expo and in typical Chinese idiom, everything about it is done to mega scale and in the superlative. At a cost of $45 billion, more than what China spent on the 2004 Olympics, it is called China's economic Olympics.
Billions more are spent on improving the city's infrastructure. The expo will be on for six
months and is expected to attract 70 million visitors, ie one out of every 100 people on earth, and will easily surpass any other expo held anywhere in the past.

The idea is to showcase China as the world's factory and impress the globe with the strides it has taken. The achievement does not need iteration but China wants to say it with pomp and spectacle. There are doubts about the economic returns from the expo as the investment may not be recouped during its duration. It is not a trade fair and so there won't be any business deals. But China does not seem to mind, as the aim is more brand-building than business. It is an attempt to create a fantasy of shapes and colour as a metaphor for the new China. China has recently been keen on projecting its soft power, in support of the increasing economic and political power it is wielding in the world. The Shanghai extravaganza is also meant to convey the message of power and aspiration with aplomb. There is criticism that thousands of people were displaced from the land where the huge pavilions have come up and from the nearby area where another big project, a Disneyland, is taking shape. But China has lived with the criticism for long.

The grand project also serves a domestic purpose. It panders to rising Chinese nationalism and pride and appeals to the people as another symbol of excellence admired by the world. Chinese authorities are keen to fuel the patriotic sentiment among the people to keep in check the various conflicts arising from development. There may also be subtle a political dimension. The expo may signify the return of the assertive and nationalist Shanghai faction in the communist party to the centrestage. Whatever be the meanings, the expo is made to stun and vow the world.

http://www.deccanherald.com/content/68922/chinese-fantasy.html
 

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Shanghai Expo Snub
Local residents are disillusioned with the city's big event.

Expectations for the Shanghai World Exposition were built up so high, there was bound to be a bit of a letdown. What's surprising is that the backlash against Shanghai's moment in the sun is being led by the locals.

However, considering the way the city's culture has been marginalized during the event, it's no wonder Shanghainese have grown resentful of the Expo, known in Chinese as shibo. Some are even using the initials SB as shorthand for the event—a pun on a common obscenity.

The government-managed Expo has largely excluded local designers, architects, artists and performers in favor of big-name imports. What's more, it has brought a crackdown on local culture, both mainstream and the burgeoning artistic community. While many Shanghainese embrace the Expo, others gripe that if feels like an invasion or recolonization of the city—with pavilions replacing concessions. Shanghai is treated as a blank screen for the projection of Beijing's aspirations, with minimal regard for the city itself.

Signs proclaiming "Shanghai Welcomes You!" are plastered all over the town. Two years ago, cult band Topfloor Circus took the Beijing Olympics theme song, mixed Mandarin and Shanghainese, and adapted it into a sly parody proclaiming the opposite. Lamenting the rising cost of living and disappearance of local culture, the song declares that Shanghai doesn't welcome you—unless you're rich and come to shop.

Topfloor Circus's bawdy Shanghainese vaudeville show, famed for its quirky costumes, props and antics, incorporated the song for over a year without incident. Then, in November, the song featured on an underground EP that coincided with a performance video of the song going viral online. Within a few days, the band's members were called into a government office and ordered to cease performing indefinitely.


Shanghai World Exp

"The problem for the government I think was not so much that the band were criticizing the Expo, but that that criticism tapped into and reflected popular public sentiment at the time," explains Jake Newby, who chronicles Shanghai's indie music scene at the blog Kungfuology.com. "The song went viral incredibly quickly and I think what really worried the government is that there were a lot of people who agreed with what they were singing. Therefore their reaction was to shut it down before it could do any more damage."

Official sanctions against Shanghai traditions, like public pajama-wearing, street food, and the local dialect have been ongoing for years. Shortly before the Expo opening, several cultural venues had their operations constrained, and a few were forced to close temporarily. On April 23, the City Administrative Department cited overcrowding in shuttering the live-music venue Yuyintang and confiscating equipment, recall directors Zhang Haisheng and Lu Sun. The following Monday, following a long discussion with the authorities, Yuyintang reopened. Mr. Zhang surmises, "Someone higher up says they must regulate us, and they have to do a little something to accommodate that."

Others in the arts scene view the closures as a warning shot or a trial balloon. "I've kind of stopped trying to rationalize the actions of the government when it comes to these things. Some people have posited the idea that the crackdowns were due to the authorities needing to fulfill some sort of pre-Expo 'crackdown quota' and I can well believe this," adds Mr. Newby. "It seems like we're in the clear now, but the trouble is that in China you just never know. The authorities seem to shut things down on a whim and they don't give you any advance warning of their actions."

Meanwhile, the Expo itself has been even less welcoming of Shanghainese culture. The opening gala was dominated by acts from the Chinese diaspora and abroad. The designer of the Expo mascot hails from Taiwan. The Shanghai Corporate Pavilion at the Expo was designed by American and Beijing architectural firms. Official art projects overwhelmingly feature artists based in Beijing or abroad. Shanghai will only get prominent billing for the four-day "Shanghai Week: Sea Charm" in October, for which the few announced plans focus around celebrating Expo themes.

Despite exclusion from the big-ticket events, Shanghainese culture is infiltrating the Expo through low-profile events and at foreign pavilions. The Expo plans to have 20,000 on-site performances over its run, half of which will be Chinese. Traditional and ethnic music and dance outnumber contemporary acts, but already local jazz club JZ has organized five shows, including Shanghai-based groups Footprints and Cold Fairyland, at the Expo Square. "There are a lot of stages, and they need performances, explains JZ owner Ren Yuqing. The programming is "not done by the Expo Department but rather each stage makes their own choices, and a lot of local acts will play, of all genres."

Famous Shanghainese artists Ding Yi and Hu Jieming provided projects for smaller Chinese provincial pavilions, says ShanghArt Gallery owner Lorenz Helbling. Additionally, his Shanghai-based artists Hipic and Xiang Liqing contributed work to the Pakistani and French Pavilions respectively. Many other foreign pavilions have actively promoted collaboration between their countries' artists and Shanghai talent. Later this month, acclaimed dancer Jin Xing debuts a collaboration with Swedish fashion designers and a choreography commissioned by Finnish brand Marimekko that will later perform in Helsinki. Finland has also coproduced a musical comedy with the Shanghai Dramatic Arts Center for the Expo.

The Expo crackdown could end up showcasing the resilience of Shanghai culture as it gathers confidence despite official indifference and antagonism. And it must be said that the Topfloor Circus ban aside, cultural restrictions in Shanghai during the Expo have so far been looser than during the Beijing Olympics in 2008. "It's slowly getting better," says Yuyintang's Mr. Lu. "[Local officials] understand us better, and we're getting some support. Bands, culture and the economy must all develop together—the times require it."

http://online.wsj.com/article/SB10001424052748703339304575239672039496634.html
 

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Not all foreign pavilions will be dismantled after the Shanghai Expo

A common question is whether all foreign pavilions will be dismantled after the Shanghai Expo.

The host China pavilion will remain. Normally, foreign pavilions have to be dismantled after the Expo. However, there is a special motion in front of the Expo organizing committee to make an exception for the Shanghai Expo.

French prime minister Sarkozy has made it clear that France intends to gift the French pavilion to China. In other words, the French pavilion will remain after the Shanghai Expo is finished.

Global Times - Expo pavilion will be French gift to China

"Expo pavilion will be French gift to China

* Source: Global Times
* [21:26 January 06 2010]
...
Sarkozy also wished that the pavilion could be retained after the Shanghai World Expo as a gift to the Chinese people.

Therefore, unlike some other temporary pavilions, the French pavilion has been built and decorated to be a permanent building from the beginning."

Pavilions, will you stay or will you go?

"According to the rules of the Bureau of International Expositions (BIE), the governing body of the World Expos, and plans from Shanghai Expo organizers, all foreign pavilions are to be dismantled after the event and the Expo site redeveloped.

At the Aichi Expo in Japan five years ago, all the Expo structures were removed and the site was rebuilt as a youth training camp.

After Expo Shanghai, only a few structures will remain on the site. These include the China pavilion, the Theme pavilion, the Cultural Center, Expo Center and Expo Boulevard. These will become permanent landmarks on the site after Expo finishes at the end of October.

But some foreign countries want to retain their pavilions in Shanghai or elsewhere in China as a testament to their friendship with China."
 

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The UK Pavilion in WIDESCREEN and HD!

 
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The Belgian Pavilion Chocolate Corner in WIDESCREEN and HD!

 
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The Swedish Pavilion in WIDESCREEN and HD!

 
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"Liverpool is the only UK city at World Expo 2010 in Shanghai."

Liverpool Film Trailer in WIDESCREEN and HD!

 
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Underwater Tunnel for Shanghai Expo 2010

Shanghai Daily | ???? -- English Window to China News


Constructors work in the Tercel No. 2 tunnel shield yesterday, when the biggest Chinese-made shield started digging the Xizang Road S. tunnel from Pudong across the Huangpu River.

"2008-7-21

THERE were high fives galore in Shanghai yesterday when the massive shield digging the Xizang Road S. Tunnel broke through to the Huangpu River's west bank.

Officials of the Shanghai No. 2 Engineering Co said the twin-passage tunnel would connect the two sides of the river and be open in time for the 2010 World Expo to be held in the city.

The eastern passage of the tunnel was the first to break through to the west bank, or Puxi side, of the river, engineers said yesterday.

The 2.67-kilometer tunnel will run under the river from the junction of Xizang Road S. and Zhongshan Road S. in Puxi to Pudong Road S. and Gaoke Road W. in Pudong.

Construction of the two 11.58-meter wide tunnels is due to be completed next September, but the tunnels will be dug by next month.

Engineers said yesterday there was just 150 meters left in the second tunnel.

The company made its own shield to dig the eastward tunnel - the largest so far built in China - while a shield was imported from Japan to dig the westward passage.

The company first imported the giant shield from Japan to penetrate under the river for the west passage and learned from that experience to invent its own tool to dig the east passage.

"At the closest point, the tunnel is only 2.68 meters below Metro Line 8 in Pudong," said project manager Chen Yong. "That's one of the several rare challenges we have conquered."

About 60,000 to 70,000 vehicles are expected to use the tunnel every day during 2010 World Expo. After the Expo ends in October that year, the tunnel will be open to ordinary traffic.

The Xizang Road S. Tunnel will connect the Expo zone on both sides of the Huangpu."
 
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Martian

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Saudi Arabia's $164 million dollar investment/pavilion at Shanghai Expo 2010

The Saudi government wisely invested $164 million dollars to promote Saudi Arabia's business interests in China.

I will momentarily digress to draw an analogy between Saudi Arabia's investment in its pavilion and China's $44 billion dollar investment in the 2008 Beijing Olympics (see http://english.pravda.ru/sports/games/06-0...ing_olympics-0). The same criticism of "wasting money" was leveled at the Chinese government. However, at a deeper level, the Chinese government was demonstrating Chinese technology, organization, competence, and quality to the world. The message is that China is superb at mega-projects and you can trust Chinese workmanship and products. I believe that the Chinese government made a smart investment in China Inc.'s brand.

Similarly, the Saudi Arabian government is taking a long-term view and it wants to showcase to the Chinese people that Saudi Arabia is a rich and powerful country. Why does the Saudi Arabian government care what the Chinese public think about Saudi Arabia? The logic is the same as promoting Saudi Arabia's image to the American public.

Increasingly, Chinese tourists are traveling all over the world. Saudi Arabia wants its share of China's outbound tourism revenue. Spending $164 million dollars to reach 70 million Shanghai Expo Chinese visitors and receiving endless free media coverage in China is a smart and cost-effective manner of promoting Saudi Arabia and Saudi Arabian products to China's 1.3 billion citizens, who have increasing disposable income (e.g. see post in this thread regarding many major Chinese cities that have exceeded $10,000 U.S. dollars per capita income).

http://abcnews.go.com/Travel/wireStory?id=9201817

"U.S. Destinations Vie for Chinese Tourism
Hawaii is Among Several U.S. Destinations Trying to Lure Chinese Tourists.
The Associated Press

By HERBERT A. SAMPLE Associated Press Writer
HONOLULU November 29, 2009 (AP)

Hawaii, California and Las Vegas are among American tourist destinations vying fiercely for a vast and largely untapped new market segment.


Hong Kong tourist Mike Wong and his wife visit Universal Studios Hollywood in University City, California, in this file photo. (ROBYN BECK/AFP/Getty Images)

Yes, to be a Chinese tourist these days is to be a widely-sought traveler.

Hawaii has beaches and its famed "aloha spirit" as its siren call. Las Vegas offers gambling and its entertainment-oriented attractions. San Francisco can boast high-end shopping and the Golden Gate Bridge.

Beset by one of the worst recessions in decades, the U.S. destinations are spending significant sums on marketing campaigns in China's most populous regions, and are urging U.S. embassy officials and Chinese airlines to ease the logistical burdens of flying to the United States.

The payoff could be substantial — particularly in Hawaii, the closest U.S. destination to China but which is, at least for now, harder for the Chinese to reach by air."

Saudi Arabia "already owns a 25% interest in a refinery in China's Fujian province, and is in talks with China Petroleum & Chemical Corp. (NYSE ADR: SNP) to take a stake in a 200,000 bpd plant in Shandong." (See http://moneymorning.com/2010/02/23/saudi-arabia-china/) Saudi Arabian ownership of downstream oil businesses in China is increasing at a significant pace. To avert criticism or concern among Chinese citizens or local governments of Saudi ownership in complex and dangerous oil refineries, Saudi Arabia has performed its own version of the Beijing Olympics. Look! The Saudi pavilion is a demonstration of Saudi "organization, competence, and quality." If Saudi Arabia can flawlessly build a megalithic pavilion then you can have confidence that Saudi Arabian ownership of a refinery in your Chinese city will be safe.

Finally, the purpose of the Saudi pavilion is to attract Chinese investment into Saudi Arabia. It is important to promote Saudi Arabia as a modern nation with a safe investment environment. Saudi Arabia needs to convince Chinese businessmen that Saudi Arabia is an attractive investment destination. Saudi Arabia wants its share of the outbound Chinese foreign direct investment and jobs.

http://en.expo2010.cn/a/20091130/000008.htm

"Saudi Arabia pavilion promises to awe

Date:11/10/2009
...
"The Shanghai World Expo will serve as a platform for the kingdom to have a multi-faceted exchange with all participants in general and China in particular," said Dr Mohammed Alisssan Al-Ghamdi, executive director of Saudi commission to the Shanghai Expo.

The country will promote various investment opportunities in both Saudi Arabia and China for the benefit of the private sector, he said. 'There will be a mutual exchange of experience and know-how of the most effective urban practices.'"

http://articles.latimes.com/2008/may/05/bu...fi-chinainvest5

"To Chinese firms U.S. is a bargain
States aggressively woo manufacturers. Lower electricity and land costs can offset a higher labor tab.
THE WORLD
May 05, 2008|Don Lee, Times Staff Writer

DONGGUAN, CHINA — Liu Keli couldn't tell you much about South Carolina, not even where it is in the United States. It's as obscure to him as his home region, Shanxi province, is to most Americans.

But Liu is investing $10 million in the Palmetto State, building a printing-plate factory that will open this fall and hire 120 workers. His main aim is to tap the large American market, but when his finance staff penciled out the costs, he was stunned to learn how they compared with those in China.
...
Liu is part of a growing wave of Chinese entrepreneurs expanding into the U.S. From Spartanburg to Los Angeles they are building factories, buying companies and investing in business and real estate.

Individually, these deals pale next to high-profile investments such as the $5-billion stake China's sovereign wealth fund took in Morgan Stanley last year, or state-owned oil giant CNOOC Ltd.'s $18.5-billion bid to acquire El Segundo-based Unocal Corp. in 2005.

But unlike the suspicion or uproar those moves generated -- CNOOC withdrew its offer amid U.S. political pressure, and the Bush administration and other governments have pushed for a "code of conduct" for sovereign wealth funds -- private Chinese businesses such as Shanxi Yuncheng are being wooed by states hungry for investment and jobs.

Last month, Wyoming's governor toured firms in China's coal-mining country. Georgia's leader brought a team of 40 on a mission to boost trade and attract investment, and Alabama's governor paid a visit too.

"It's like a land grab," quipped James Rice, Tyson Foods' China manager and a board member of the American Chamber of Commerce in Shanghai, who has attended some of these states' functions in China."
 

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Crystal CG Digital Tapestry

This is an extremely surprising video about modern art in China. The video starts very slowly. Make sure to watch it all the way to the end. It is an eye-opener.

 
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