'Dangal' grips China, total earnings may surpass India collections

[airtel]

‘Dangal’ grips China, total earnings may surpass India collections
Aamir Khan-starrer Dangal wrapped up its 10-day box office run in China with a massive Rs382.69 crore

Lata Jha

Aamir Khan-starrer ‘Dangal’, which opened in China on 4 May, earned $2.27 million (Rs14.67 crore) on the first day itself.
New Delhi: Aamir Khan-starrer Dangal wrapped up its 10-day box office run in China with a massive $59.74 million (Rs382.69 crore). At this rate, the film, released in about 9,000 cinemas across the neighbouring country, may soon surpass its lifetime collections of Rs387.38 crore in India.

Earlier last week, the all-time blockbuster had emerged as the highest-grossing Indian film in China, overtaking the record previously held by the actor’s own 2014 release PK, which made Rs123 crore in the country. Indian films that have made a mark in China, apart from PK, include Khan’s 3 Idiots and Dhoom 3, which earned Rs16 crore and Rs24 crore, respectively. S.S. Rajamouli’s Baahubali: The Beginning managed about Rs7 crore from close to 6,000 screens. Baahubali 2: The Conclusion hasn’t released in China yet.

Dangal, which opened in China on 4 May, earned $2.27 million (Rs14.67 crore) on the first day itself. On the sixth day in Chinese theatres, the Nitesh Tiwari-directed wrestling drama also beat the collections of American superhero film Guardians of the Galaxy Vol. 2, making $3.91 million compared to the Hollywood flick’s $3.5 million.

The one big factor for the possible trump over India collections may be the difference in ticket rates.

“The total number of people watching Dangal in China would be much less than India,” said Utpal Acharya, founder of film production, distribution and marketing company Indian Film Studios. “But the average ticket price in China is $12 compared to $1.5 in India.”

There is, of course, the basic connect the plot has made with Chinese audiences who have, till now, been more used to Hollywood spectacles and action fare apart from local content.

“The idea of two female underdogs winning accolades for the country has resonated very easily with Chinese audiences,” said film trade and business expert Girish Johar.

There are lessons to be learnt for the Indian movie business from this. China, the second-largest movie market after the US, offers nearly 27,000-28,000 theatres and a Bollywood film typically releases in 4,500-5,500 screens. In India, too, the widest possible release a film can get is 4,500-5,500 screens out of the 8,000-9,000 screens. PK was released in about 4,000 screens, while Dangal managed 9,000, nearly double its India screen count.

“Compare these figures with what Dangal made in India and you will realise the kind of revenue the film missed out on,” Atul Mohan, editor of trade magazine Complete Cinema, wrote in a recent article on the contribution of overseas territories to the Indian movie business. “Imagine the difference it would make to the revenues of Indian films from the domestic theatrical sector itself if screen density in India matches Chinese proportions.”



http://www.livemint.com/Consumer/yf...a-total-earnings-may-surpass-India-colle.html

 

[Villager]

Dangal poised to unseat Japan's Your Name as the highest grossing non-Hollywood film ever in China

The true story of two female wrestlers overturning gender stereotypes has become the highest-grossing Indian film ever in China. It's got people asking when China will make a film like this?

It is a story of female empowerment
Dangal is not your typical song-and-dance heavy Bollywood romance.

Starring hugely popular Aamir Khan, it tells the story of Indian wrestler and coach Mahavir Singh Phogat who trained his daughters to become wrestlers - defying social norms.

The real-life family is from conservative Haryana state, known for the high prevalence of social issues such as gender inequality and child marriage. And the family faced great adversity to realise his wrestling dreams.

One of his daughters Geeta Phogat went on to win India's first ever gold medal in wrestling at the Commonwealth Games in 2010 and became the first Indian female wrestler to qualify for the Olympic Games.

"I think the father really cared about his daughters' future. He would have raised independent daughters no matter what," said one social media user on Chinese micro-blogging site Weibo.

"Just left the cinema. All I want to say is, after the movie's finished, the whole room applauded. Quite an experience," said another user.

Although some took away an anti-feminist message from the film.

"I think this is a rather male chauvinistic film. Basically, the dad forced his dream on his two daughters. He didn't teach them to wrestle so that they could avoid being child brides. He taught them to wrestle so he could realise his dream. The girls never had a chance to choose," said one Weibo user.

Since its release on 5 May in China, the film has already made more than 487m yuan ($70.7m; £54.5m) at the box office, according to state news agency Xinhua and continues to do strong business.

It now looks poised to unseat Japan's Your Name as the highest grossing non-Hollywood film ever in China, which commentators say points to China's growing fascination with Bollywood.

In China, the film was released as Shuai Jiao Baba, which translates as Let's Wrestle, Dad. Since then the hashtag #LetsWrestleDad has been trending on Weibo.

Aamir Khan's previous films have also been hugely popular in China. His 2009 release, 3 Idiots, was a hit in the country and industry watchers called it the film that broke "China's Great Bollywood Wall".

Khan is sometimes credited with reviving China's love for Bollywood, which began with Raj Kapoor's films in the 1950s.

"It made me cry and laugh. I'm a big fan of Aamir Khan. He never lets me down," said one netizen on Weibo.

It's just so good, you won't go to the toilet
Chinese critics say Dangal has helped break China's "prejudice" against Bollywood films, including their excessive length and elaborate but "puzzling" dance scenes.

Prominent Chinese director Feng Xiaogang who watched the movie described his experience watching it with friends.

"I went to the movies along with some 20 friends last night. When the movie finished and they started showing the credits, seven to eight of them rushed to the toilet - turned out they had been holding off going to the bathroom. We went for tea afterwards and all of us said: good movie!"

Finally, a decent sports movie
And many social media users and critics are inevitably comparing Dangal to Chinese films, saying it was better than a lot of domestic cinema.

Yin Hong, a professor from the Tsinghua University and a film critic, told the Beijing Evening News that Dangal puts Chinese movies "to shame".

"Dangal was based on a true story, but its artistic level - from the script-writing to the actors' and actresses' performance, and from the pace to the musical score - is amazing."

He said it had "taught Chinese cinema a lesson".

"We have so many champions in China but we have failed to make a decent sports movie. This is a case worthy of reflection," he said.

"It could totally have been a Chinese story. but how come we don't have a movie like this?" asked one Weibo user.

Film critic Nan Jiang told the BBC she thinks it's because the Chinese film market is dominated by commercial interests.

"Some film makers are only concerned with money. They barely care about feminism or female empowerment," she said.

So what does India make of all this success for Dangal in China?

Lots of pride, a little disbelief and several cries of "madness".

Reporting by BBC Monitoring and Beijing Bureau.

 

[Krusty]

I think this is a rather male chauvinistic film. Basically, the dad forced his dream on his two daughters. He didn't teach them to wrestle so that they could avoid being child brides. He taught them to wrestle so he could realise his dream. The girls never had a chance to choose," said one Weibo use

Ironic this is coming from a Chinese where everything from his name to his choice or Weibo is forced by CCP.

 

[dhananjay1]

This just makes it more clear that Chinese, like Indians, are essentially coolies. Like Indians they superficially cheer about their culture, but in reality gobble up western ideologies.